Who does what on a film set
Every crew title, in plain language. No one is born knowing what a best boy does — and the jargon keeps more people out of this industry than the work ever does.
Direction
3 rolesThe people who decide what the film is and how each moment should feel.
- Director
- Owns the story on screen. Works with actors, chooses shots with the DP, and makes the final call on every creative question.
- Co-Director
- Shares directing duties equally with another director — common on documentaries and music videos.
- Second Unit Director
- Directs material the main unit doesn't shoot: inserts, driving plates, scenery, stunts.
Production
9 rolesThe people who make the shoot physically possible — money, permits, food, schedule.
- Producer
- Responsible for the film existing: money, hiring, schedule, and the buck stopping somewhere.
- Executive ProducerEP
- Usually brings financing or industry backing. Rarely on set day to day.
- Line Producer
- Runs the budget line by line during the shoot and keeps spending honest.
- Unit Production ManagerUPM
- Books crew, gear, locations and vehicles. The logistics engine of the shoot.
- Production Coordinator
- The office hub — call sheets, paperwork, travel, and who needs to know what.
- Production AssistantPA
- The most useful person on set. Runs, drives, locks up the street, and keeps things moving.
- Location Manager
- Finds, secures and babysits the places you shoot, including permits and neighbors.
- Craft ServicesCrafty
- Keeps snacks, coffee and water flowing all day. Morale is a department.
- Catering
- Provides the hot meal. A fed crew is a fast crew.
Assistant Directing
4 rolesThe people who protect the clock so the director can think about the story.
- 1st Assistant Director1st AD · First AD
- Runs the set. Builds the shooting schedule, calls the roll, and keeps the day on time and safe.
- 2nd Assistant Director2nd AD
- Handles call sheets, wrangles cast through hair/makeup, and manages background.
- 2nd 2nd Assistant Director
- Extra AD support on bigger days — usually background and paperwork.
- Script SupervisorScripty
- Tracks continuity, coverage and takes so the edit actually cuts together.
Writing
3 rolesThe people who put it on the page before it exists anywhere else.
- ScreenwriterWriter
- Writes the screenplay — structure, scenes, dialogue.
- Story By
- Credited for the underlying story even if someone else wrote the script pages.
- Script Consultant
- Gives structural notes on drafts without writing pages.
Camera
9 rolesThe people who decide what the image looks like and keep the footage safe.
- Director of PhotographyDP · DoP · Cinematographer
- Designs the look: lensing, lighting, camera movement. Leads camera and G&E.
- Camera OperatorOp
- Physically operates the camera and holds the frame during takes.
- 1st Assistant Camera1st AC · Focus Puller
- Pulls focus, builds and maintains the camera, changes lenses.
- 2nd Assistant Camera2nd AC · Clapper Loader
- Slates each take, logs it, manages media cards and camera paperwork.
- Digital Imaging TechnicianDIT
- Manages exposure, on-set color and the look pipeline into post.
- Data WranglerLoader
- Offloads and backs up footage — at least two copies, always verified.
- Steadicam Operator
- Operates a stabilized rig for smooth moving shots.
- Drone OperatorAerial
- Flies aerial shots — needs the right license for commercial work.
- Still PhotographerUnit Stills
- Shoots the on-set photos you'll use for posters, press and socials.
Grip & Electric
7 rolesThe people who make and shape the light, and rig everything the camera sits on.
- GafferChief Lighting Technician
- Head of lighting. Turns the DP's intent into actual lamps, power and placement.
- Best Boy Electric
- The gaffer's second — orders gear, manages the electric crew and the truck.
- ElectricianLamp Op · Spark
- Sets, powers and adjusts lighting units.
- Key Grip
- Head of grip. Rigging, flags, diffusion, camera support and set safety.
- Best Boy Grip
- The key grip's second — crew, gear and truck.
- Dolly Grip
- Operates the dolly or slider so moves land on the same mark every take.
- Grip
- Builds, rigs, flags and shapes — everything light touches that isn't plugged in.
Sound
3 rolesThe people who capture dialogue clean enough to use — you can't fix it later, really.
- Production Sound MixerSound Mixer
- Records and balances all audio on set, and flags noise problems before a take.
- Boom Operator
- Places the mic on a pole just out of frame, following the dialogue.
- Sound UtilitySound Assistant
- Wires talent with lav mics, manages cable, batteries and timecode.
Art
6 rolesThe people who build the world in front of the lens.
- Production Designer
- Designs the physical look of the film: sets, palette, texture, period.
- Art Director
- Executes the designer's plan — drawings, builds, budgets, crew.
- Set Decorator
- Chooses and places everything in the space that isn't handled by an actor.
- Prop MasterProps
- Sources and manages every object an actor touches.
- Set Dresser
- Physically dresses and strikes the set each day.
- Scenic Artist
- Paints, ages and finishes surfaces so they read right on camera.
Wardrobe
3 rolesThe people who dress the characters — and keep them consistent across weeks of shooting.
- Costume Designer
- Designs what every character wears and what it says about them.
- Wardrobe Supervisor
- Runs the fittings, the racks and the continuity of every outfit.
- CostumerSet Costumer
- Handles wardrobe on set: changes, repairs, distressing, steaming.
Hair & Makeup
3 rolesThe people who finish the character's face — and match it shot to shot.
- Key Makeup ArtistMUA
- Designs and applies makeup, and keeps looks consistent across the schedule.
- Hair Stylist
- Designs and maintains hair for every character.
- Special Effects MakeupSFX Makeup · Prosthetics
- Builds wounds, aging, creatures and anything makeup can't do straight.
Post Production
11 rolesThe people who turn footage into a film — usually the longest phase of all.
- Editor
- Assembles the film: performance, pace, structure. The final rewrite happens here.
- Assistant EditorAE
- Organizes media, syncs sound, and keeps the project file sane.
- Colorist
- Grades the image — contrast, color, mood, and matching shot to shot.
- Sound Designer
- Creates and places the non-dialogue sound world of the film.
- Re-Recording MixerDub Mixer
- Balances dialogue, music and effects into the final mix.
- Foley Artist
- Performs everyday sounds — footsteps, cloth, handling — in sync to picture.
- Composer
- Writes the original score.
- Music Supervisor
- Finds songs and clears the rights to use them. Clearance is not optional.
- VFX Supervisor
- Plans and oversees visual effects from set through delivery.
- VFX ArtistCompositor
- Builds the shots: cleanup, comps, CG elements, screen replacements.
- Title Designer
- Designs the main and end titles.
Casting
3 rolesThe people who find the faces.
- Casting Director
- Sources, auditions and negotiates with actors for every role.
- Casting Associate
- Runs sessions, schedules auditions and handles submissions.
- Extras CastingBackground Casting
- Books and coordinates background performers.
Stunts & Safety
4 rolesThe people who make dangerous things look dangerous and be safe.
- Stunt Coordinator
- Designs and supervises every stunt, and signs off on safety.
- Stunt Performer
- Performs the action, often doubling a cast member.
- Intimacy Coordinator
- Choreographs intimate scenes and protects performer consent and boundaries.
- Safety OfficerSet Medic
- Handles medical response and safety compliance on set.
Cast
6 rolesThe people on screen.
- Lead ActorLead
- Carries the story — the character we follow.
- Supporting ActorSupporting
- Substantial role that shapes the lead's story.
- Principal
- A named, speaking role with real story weight.
- Day Player
- A speaking role hired for one or a few days.
- BackgroundExtra
- Populates the world without dialogue.
- Voice OverVO
- Heard, not seen — narration or looped lines.
Ready to fill these seats?
The Production Toolkit builds your crew list department by department, then turns it into call sheets, a schedule, and a budget.

