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Who does what on a film set

Every crew title, in plain language. No one is born knowing what a best boy does — and the jargon keeps more people out of this industry than the work ever does.

Direction

3 roles

The people who decide what the film is and how each moment should feel.

Director
Owns the story on screen. Works with actors, chooses shots with the DP, and makes the final call on every creative question.
Co-Director
Shares directing duties equally with another director — common on documentaries and music videos.
Second Unit Director
Directs material the main unit doesn't shoot: inserts, driving plates, scenery, stunts.

Production

9 roles

The people who make the shoot physically possible — money, permits, food, schedule.

Producer
Responsible for the film existing: money, hiring, schedule, and the buck stopping somewhere.
Executive ProducerEP
Usually brings financing or industry backing. Rarely on set day to day.
Line Producer
Runs the budget line by line during the shoot and keeps spending honest.
Unit Production ManagerUPM
Books crew, gear, locations and vehicles. The logistics engine of the shoot.
Production Coordinator
The office hub — call sheets, paperwork, travel, and who needs to know what.
Production AssistantPA
The most useful person on set. Runs, drives, locks up the street, and keeps things moving.
Location Manager
Finds, secures and babysits the places you shoot, including permits and neighbors.
Craft ServicesCrafty
Keeps snacks, coffee and water flowing all day. Morale is a department.
Catering
Provides the hot meal. A fed crew is a fast crew.

Writing

3 roles

The people who put it on the page before it exists anywhere else.

ScreenwriterWriter
Writes the screenplay — structure, scenes, dialogue.
Story By
Credited for the underlying story even if someone else wrote the script pages.
Script Consultant
Gives structural notes on drafts without writing pages.

Camera

9 roles

The people who decide what the image looks like and keep the footage safe.

Director of PhotographyDP · DoP · Cinematographer
Designs the look: lensing, lighting, camera movement. Leads camera and G&E.
Camera OperatorOp
Physically operates the camera and holds the frame during takes.
1st Assistant Camera1st AC · Focus Puller
Pulls focus, builds and maintains the camera, changes lenses.
2nd Assistant Camera2nd AC · Clapper Loader
Slates each take, logs it, manages media cards and camera paperwork.
Digital Imaging TechnicianDIT
Manages exposure, on-set color and the look pipeline into post.
Data WranglerLoader
Offloads and backs up footage — at least two copies, always verified.
Steadicam Operator
Operates a stabilized rig for smooth moving shots.
Drone OperatorAerial
Flies aerial shots — needs the right license for commercial work.
Still PhotographerUnit Stills
Shoots the on-set photos you'll use for posters, press and socials.

Grip & Electric

7 roles

The people who make and shape the light, and rig everything the camera sits on.

GafferChief Lighting Technician
Head of lighting. Turns the DP's intent into actual lamps, power and placement.
Best Boy Electric
The gaffer's second — orders gear, manages the electric crew and the truck.
ElectricianLamp Op · Spark
Sets, powers and adjusts lighting units.
Key Grip
Head of grip. Rigging, flags, diffusion, camera support and set safety.
Best Boy Grip
The key grip's second — crew, gear and truck.
Dolly Grip
Operates the dolly or slider so moves land on the same mark every take.
Grip
Builds, rigs, flags and shapes — everything light touches that isn't plugged in.

Sound

3 roles

The people who capture dialogue clean enough to use — you can't fix it later, really.

Production Sound MixerSound Mixer
Records and balances all audio on set, and flags noise problems before a take.
Boom Operator
Places the mic on a pole just out of frame, following the dialogue.
Sound UtilitySound Assistant
Wires talent with lav mics, manages cable, batteries and timecode.

Art

6 roles

The people who build the world in front of the lens.

Production Designer
Designs the physical look of the film: sets, palette, texture, period.
Art Director
Executes the designer's plan — drawings, builds, budgets, crew.
Set Decorator
Chooses and places everything in the space that isn't handled by an actor.
Prop MasterProps
Sources and manages every object an actor touches.
Set Dresser
Physically dresses and strikes the set each day.
Scenic Artist
Paints, ages and finishes surfaces so they read right on camera.

Wardrobe

3 roles

The people who dress the characters — and keep them consistent across weeks of shooting.

Costume Designer
Designs what every character wears and what it says about them.
Wardrobe Supervisor
Runs the fittings, the racks and the continuity of every outfit.
CostumerSet Costumer
Handles wardrobe on set: changes, repairs, distressing, steaming.

Hair & Makeup

3 roles

The people who finish the character's face — and match it shot to shot.

Key Makeup ArtistMUA
Designs and applies makeup, and keeps looks consistent across the schedule.
Hair Stylist
Designs and maintains hair for every character.
Special Effects MakeupSFX Makeup · Prosthetics
Builds wounds, aging, creatures and anything makeup can't do straight.

Post Production

11 roles

The people who turn footage into a film — usually the longest phase of all.

Editor
Assembles the film: performance, pace, structure. The final rewrite happens here.
Assistant EditorAE
Organizes media, syncs sound, and keeps the project file sane.
Colorist
Grades the image — contrast, color, mood, and matching shot to shot.
Sound Designer
Creates and places the non-dialogue sound world of the film.
Re-Recording MixerDub Mixer
Balances dialogue, music and effects into the final mix.
Foley Artist
Performs everyday sounds — footsteps, cloth, handling — in sync to picture.
Composer
Writes the original score.
Music Supervisor
Finds songs and clears the rights to use them. Clearance is not optional.
VFX Supervisor
Plans and oversees visual effects from set through delivery.
VFX ArtistCompositor
Builds the shots: cleanup, comps, CG elements, screen replacements.
Title Designer
Designs the main and end titles.

Casting

3 roles

The people who find the faces.

Casting Director
Sources, auditions and negotiates with actors for every role.
Casting Associate
Runs sessions, schedules auditions and handles submissions.
Extras CastingBackground Casting
Books and coordinates background performers.

Stunts & Safety

4 roles

The people who make dangerous things look dangerous and be safe.

Stunt Coordinator
Designs and supervises every stunt, and signs off on safety.
Stunt Performer
Performs the action, often doubling a cast member.
Intimacy Coordinator
Choreographs intimate scenes and protects performer consent and boundaries.
Safety OfficerSet Medic
Handles medical response and safety compliance on set.

Cast

6 roles

The people on screen.

Lead ActorLead
Carries the story — the character we follow.
Supporting ActorSupporting
Substantial role that shapes the lead's story.
Principal
A named, speaking role with real story weight.
Day Player
A speaking role hired for one or a few days.
BackgroundExtra
Populates the world without dialogue.
Voice OverVO
Heard, not seen — narration or looped lines.
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Ready to fill these seats?

The Production Toolkit builds your crew list department by department, then turns it into call sheets, a schedule, and a budget.